This is a book about two shape changing beings living through their centuries on Earth. It mostly follows on of them, but the other is important to the plot as well. Once again its an enjoyable read like many of Haldeman's other books. Similarly to other books it also explores what it is like to be isolated from the rest of society, with most of the book being written from the perspective of one of the shape changers. I really liked this book.
Joe Haldeman does good work, and in general I have really liked his books. They're easy to read, fun, and interesting. Better than that, they're all quite different in the topics they cover, so he's not in a rut. The only exceptions have been There Is No Darkness, which wasn't very good and Forever Free, which I thought was lazily plotted. This book is no exception to the rule, and I really enjoyed it. One theme to Joe's work that I am noticing is that the "sex scenes" are always anti-climatic, which is interesting to note. I'd like to have heard more about the One Year War, but there is scope for that to be another separate book. I don't think this book suffers from the lack of coverage, and its mostly tangentially interesting because I'd like to see how a society transforms itself in that way.
This book wasn't as good as I hoped it would be -- some of Joe's other work has been excellent (The Forever War, Forever Peace and Marsbound being examples). However, some of his other books are very weak, such as Forever Free and There Is No Darkness. This book is an interesting experiment in story telling style, where many different very short chapters are told by different characters. Each chapter follows on directly from the previous one. However, this style makes the story confusing to read until you can remember the names of all the characters. Worse than that though, the idea behind the story isn't terribly strong, and the resolution is weak as well. Overall and ok read, but not Joe's best work and not a book I would recommend.
This book really worked for me. I've seen other people criticize it for being juvenile, but I don't feel its any more juvenile than The Forever War, which is considered a classic. The style is quite conversational, as if the main protagonist is talking to you and explaining the story, but I liked that. This is a great book.
This isn't Heinlein's best work. The faux Russian grammar of the narrator is pretty annoying, and the story shallow. Its an ok read as entertainment, but I think it could do with more plot and fewer long rants about the dangers of big government. I'd like to know more about the cyborgs which seem to pilot everything important as well. [isbn: 0425016013]
This book is good science fiction, in the sense that it explores something which we are not ready to address as a society -- in this case, would profoundly disabled people prefer that we could replace their disabled bodies? What if the replacement wasn't humanoid? The book is pretty old though, and that shows in some of the elements of the story. I don't feel it detracts though. The book is also composed of a series of independantish by related short stories, which was a common publishing technique for science fiction in the 1960s. One story -- "Dramatic Mission" -- did throw me a little. Its just too out there conceptually, and actually kind of dull until about the last three pages, where the controller poses some interesting questions of Helva. I feel that perhaps the lead up could have been better though. [isbn: 0345297687] [award: nominee nebula 1969]