By far the most consistent criticism of The Definitive Guide to ImageMagick has been that the sample images need to be in color. I would have to agree with this point, which is why I am delighted that Apress took the time to go back around the production process and produce a version of the ebook with color images. It’s cool that they were willing to put in the effort, and not only that, they’re giving anyone who has purchased the ebook to date a free upgrade. Even better, now if you buy the printed book on Amazon, you get the color ebook for free!
I have a limited number of color ebooks to give away, so if you’re interested please leave a comment and explain why you’d like one.
One, wikipedia rocks. Especially for technical topics I previously found hard to research like image encoding formats like YUV. Kudos to those who write pages there.
Secondly, is it just me or is the history of television formats fascinating. For example:
The adoption of SECAM in Eastern Europe has been attributed to Cold War political machinations: Western TV was popular in the East, authorities were well aware of this, and adopted SECAM rather than the PAL encoding used in West Germany. This did not hinder mutual reception in black&white, because the underlying TV standard B/G remained the same in both parts of Germany. However, East Germans responded by buying PAL decoders for their SECAM sets. Eventually, the government in East Berlin stopped paying attention to so-called “Republikflucht via Fernsehen”, or “defection via television”. Later East German produced TV sets even included a dual standard PAL/SECAM decoder. In any case the majority of TV sets in East Germany were monochrome (black & white) until well into the 1980s.